यह दीप अकेला- मैंने देखा, एक बूँद (सच्चिदानंद हीरानंद वात्स्यायन 'अज्ञेय')

Sneh (love/affection), Garv (pride), Madmata (intoxicated/proud), Akela (alone)

Step 1: The poem clearly mentions 'sneh bhara' (filled with love) as the first quality. Step 2: 'Garv bhara' (filled with pride) is the second quality mentioned. Step 3: 'Madmata' (intoxicated with pride) shows the lamp's self-confidence. Step 4: 'Akela' (alone) describes its isolated state despite having all good qualities. Step 5: Fear is not mentioned as a quality of the lamp in the poem.

Metaphor (rupak), Symbolism (pratik), Repetition (punaravrutti), Personification (manvikaran)

Step 1: Metaphor is used where the lamp represents an individual person. Step 2: Symbolism appears throughout as various objects represent deeper meanings. Step 3: Repetition is evident in the refrain 'isko bhi pankti ko de do' repeated in every stanza. Step 4: Personification gives human qualities like love and pride to the lamp. Step 5: Simile is not prominently used as there are no direct comparisons using 'like' or 'as'.

Individual vs collective identity, Transience of life, Unity in diversity, Self-realization

Step 1: Both poems explore the tension between individual existence and collective belonging. Step 2: The transience theme appears in the momentary coloring of the drop and the lamp's temporary isolation. Step 3: Unity in diversity is shown through the need for individual integration with society. Step 4: Self-realization comes through understanding one's place in the larger scheme. Step 5: Religious devotion is not a central theme in either poem.

Loneliness (akelapan), Pride (garv), Love (sneh), Intoxication (madmata), Devotion (bhakti)

Step 1: Loneliness is the central emotion expressed through 'akela'. Step 2: Pride is explicitly mentioned as 'garv bhara'. Step 3: Love appears as 'sneh bhara' showing the lamp's capacity for affection. Step 4: Intoxication or pride is shown through 'madmata'. Step 5: Devotion appears in 'isko bhakti ko de do' in the final stanza. Step 6: Anger is not mentioned anywhere in the poem.