Indian Art and Architecture
CBSE · Class 11 · Knowledge Traditions and Practices of India
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प्राचीन भारत में भारतीय कला और वास्तुकला का मुख्य केंद्र क्या है?
Answer
भारतीय कला और वास्तुकला भारत में चित्रकला, मूर्तिकला, गुफा कला, मंदिर निर्माण और नगर नियोजन के लंबे विकास को दर्शाती है। वे मूर्त विरासत, जैसे कि स्मारक और मूर्तियां, और अमूर्त विरासत, जैसे कि कलात्मक…
What is the main focus of Indian art and architecture in ancient India?
Answer
Indian art and architecture show the long development of painting, sculpture, cave art, temple building, and town planning in India. They reflect both tangible heritage, such as monuments and sculptur…
What are śilpaśāstra texts?
Answer
Śilpaśāstra texts are traditional works on art and architecture. They discuss painting, building design, town planning, construction methods, and artistic rules. They helped preserve knowledge about h…
शिल्पशास्त्र ग्रंथ क्या हैं?
Answer
शिल्पशास्त्र ग्रंथ कला और वास्तुकला पर पारंपरिक रचनाएँ हैं। इनमें चित्रकला, भवन निर्माण, नगर नियोजन, निर्माण विधियों और कलात्मक नियमों पर चर्चा की गई है। इन्होंने प्राचीन भारत में कलाकारों और निर्माणक…
विष्णुधर्मोत्तर पुराण भारतीय कला परंपरा में क्या योगदान देता है?
Answer
विष्णुधर्मोत्तर पुराण चित्रकला पर सबसे व्यापक ग्रंथ है। यह अठारह उपपुराणों में से एक है और नृत्य, संगीत और दृश्य कला के बीच घनिष्ठ संबंध की व्याख्या करता है। यह चित्रकला के तरीकों और कलात्मक आदर्शों क…
What does Viṣṇudharmottara Purāṇa contribute to Indian art tradition?
Answer
Viṣṇudharmottara Purāṇa is the most comprehensive text on painting. It is one of the eighteen Upa-purāṇas and explains the close relationship between dance, music, and visual arts. It is important for…
What are the six limbs of painting described by Vātsyāyana?
Answer
The six limbs of painting are: Rūpabhedā, Pramāṇa, Bhāva, Lāvaṇya yojana, Sādrṣyam, and Vaṇikabhaṅga. These refer to difference in appearance, correct measure, emotion, grace, similarity, and analysis…
चित्रकला के वे कौन-से छह अंग हैं जिनका वर्णन वात्स्यायन ने किया है?
Answer
चित्रकला के छह अंग हैं: रूपभेदा, प्रमाण, भाव, लावण्ययोजन, सादृश्य और वणिकभंग। ये रूपभेद, सम्यक् माप, भाव, शोभा, सादृश्य और वर्ण-वर्ण-भेद के विश्लेषण को कहते हैं।…
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Sources & Official References
- NCERT Official — ncert.nic.in
- CBSE Academic — cbseacademic.nic.in
- CBSE Official — cbse.gov.in
- National Education Policy 2020 — education.gov.in
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