With the Photographer
ICSE · Class 10 · English Literature-Treasure Chest ( Poems and Short Stories)
Quick revision notes for With the Photographer — ICSE Class 10 English Literature-Treasure Chest ( Poems and Short Stories). Key concepts, formulas, and definitions for last-minute revision.
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About the Author — Stephen Leacock
- Stephen Leacock (1869–1944) was a Canadian humourist, economist, and writer, born in England.
- He is widely regarded as one of the greatest English-language humourists of the early 20th century.
- He was a professor of economics at McGill University, Montreal, but achieved lasting fame through his humorous writings.
Setting and Atmosphere
- The entire story is set in a photographer's studio in the early 20th century.
- The studio is a formal, professional space — a place where people go to be seen at their best and to have their likeness preserved.
- This setting is thematically important: it is a space dedicated to image and presentation, making the destruction of the narrator's image all the more ironic and comic.
Characters — Detailed Analysis
- There are two main characters: the unnamed narrator and the photographer.
- THE NARRATOR: A mild-mannered, self-deprecating everyman who came for a simple portrait. He accepts each criticism with bewilderment rather than anger, which makes him sympathetic and funny. His growi
- THE PHOTOGRAPHER: Self-important, pompous, and deeply serious about his 'art'. He catalogues the narrator's facial faults with professional authority, then retouches the portrait until it bears no res
Plot — Scene by Scene Analysis
- ARRIVAL: The narrator enters the studio for a straightforward portrait — a simple, everyday task. This establishes normality before the escalation begins.
- THE CRITIQUE BEGINS: The photographer studies the narrator's face and begins cataloguing its faults. The ears are not level — one is higher than the other. This is the first blow to the narrator's con
- MORE FAULTS: The photographer continues — the eyes are too far apart; the mouth is too large and crooked. Each new fault is more deflating than the last. The narrator accepts these verdicts with stunn
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