The Manuscript Painting Tradition
CBSE · Class 12 · Fine Arts
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Foundations of Indian Manuscript Painting
- Vishnudharmottara Purana (5th century) contains Chitrasutra - foundational text for Indian painting
- Six limbs of painting (Shadanga): Roopbheda, Pramana, Bhava, Lavanya yojana, Sadrishya, Varnikabhanga
- Miniature paintings were hand-held, smaller in size, meant for close observation
Western Indian School of Painting
- Centered in Gujarat with southern Rajasthan and western Central India
- Patronized by wealthy merchants and traders due to prosperous trade routes
- Jain community became major patrons, leading to Jain School of Painting
Stylistic Features and Evolution
- Schematic and simplified painting language with sectional space division
- Bright colors with deep interest in textile pattern depiction
- Thin, wiry lines predominate compositions
Pala School of Eastern India
- Last great phase of Buddhist art in India (750 CE to mid-12th century)
- Centered at Nalanda and Vikramsila monasteries
- Illustrated Buddhist themes and Vajrayana Buddhist deities
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Sources & Official References
- NCERT Official — ncert.nic.in
- CBSE Academic — cbseacademic.nic.in
- CBSE Official — cbse.gov.in
- National Education Policy 2020 — education.gov.in
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